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Released Nov 02nd, 2014
Running Time 148 Min
Director B. Skow
Company Girlfriends Films
DVD Extras Bonus Scenes, Trailer(s)
Cast Scott Lyons, Darla Crane, Claire Robbins, Kurt Lockwood, Alec Knight, Skin Diamond
Critical Rating AAAA
Genre Drama

Rating

Synopsis

Skin and Alex have an arrangement. She does absolutely anything he asks, including cooking, cleaning, and, whenever Alex wishes it, bending over so he can cum in her. There`s only one thing skin won`t do. Tell him she loves him. But he`s determined. So, to throw him off-course, skin enlists a girl from the neighborhood to become her slave-in-training, hoping that he will turn his attention to her instead. But when Alex discovers Skin`s plan, he decides to test Skin`s decoy, to see how much she can take. Skin realizes what`s happening and tries to get the girl to go, before Alex truly hurts her. but the girl doesn`t want to go. She likes it there. She wants to stay.

Reviews

"Are you here for the full slave experience?" purrs Skin Diamond, lying on a bed in chrome necklace and black lingerie. When she pulls open Scott Lyons' pants and starts to suck his dick, it's pretty clear who the slave is supposed to be. The lengthy 27-minute scene ends with Lyons remarking to Diamond, "Too bad you can't cook and clean"—and DIamond fingering the jizz off her chin and grinning, "Actually, I can." Soon, she's on her knees in the back of a panel truck at a rural ranch, in the same lingerie and chrome necklace, on all fours giving Lyons a blowjob and getting fucked from behind as she keens, "Thank you, sir."

This display is witnessed by way-prudish Claire Robbins, who runs off and is brooding in her bedroom when Darla Crane enters wearing an "I [Heart] Oral" tank-top, and when Crane says, "I have to go to work," Robbins snaps, "It isn't work, mom. You're going to a strip club," with disapproval dripping from every syllable. "Don’t call it work. It's demeaning." While Robbins is busy disapproving of Crane's actions, Lyons is doggie-fucking Diamond as she scrubs the floor on her hands and knees, appreciatively saying, "I think I may keep you. You don't have to leave Monday if you don't want to. I'll pay you." He gets a quiet, "I don't do this for the money, Sir," and a followup blowjob in response.

Although Robbins disapproves of Mom's stripping, she is familiar with watching internet porn with one hand down her pants. Elsewhere, Lyons' avowal of love for Diamond is met with stony silence, and when he demands, "Tell me you love me," she takes a wooden spoon between her teeth but doesn't stop fucking him.

In a private chat with Robbins, Diamond—now sophisticated and cool—reveals that she was afraid of her sexual impulses until she gave in to them. "Now I can be whatever I need to be to please the right man. Let me let you in on a little secret: He's not the one who's in control. I am." Which Diamond later shows Robbins in a scene where she educates Robbins about proper sub posture and body positions—and cock-sucking (on a strap-on) and not cumming without permission. Diamond continues Robbins' education with Lyons, expanding the curriculum to sucking a real cock, pussy-eating, using a strap-on to fuck Diamond, and what to say when the Dom gives you permission to cum.

Diamond continues to manipulate both Robbins and Lyons, and when Lyons' buddy Kurt Lockwood comes by—saying he just got out of prison on a sex offense—Lyons hands Robbins over to him for some bedroom hijinks, showing Diamond that he can play the manipulation game too. Robbins' character jumps into it with Lockwood, having gone from, "I've never sucked a cock," to reverse cowgirl and doggie anal in about 20 minutes of screen time. The reversals come fast and hard after that, with everybody redefining themselves and each other in the face of new insights about themselves.

Writer David Stanley, as usual, delivers a thought-provoking and challenging script. Skin Diamond plays both sides of her sophisticated/sub role well, Robbins is excellent as the prude-turned-libertine, and in her limited role, Darla Crane adds a grace note of mature sexuality.



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