Released: Jun 01st, 1998
Running Time: 88
Director: Thomas Paine
Company: Primal Productions
Cast: Jeanna Fine, Jill Kelly, Shayla LaVeaux, Skye Blue, Eric Price, Mark Davis, Summer Cummings, Michael J. Cox, Stacy Valentine
Critical Rating: Not Yet Rated
Recommend this without hesitation to couples, singles, youngsters, oldsters, and those with a nostalgia for things vintage (like \"quality\" and \"craftsmanship\").
There isn't a sexual moment in this video that isn't precise and hot. Even the plot doesn't bog down the action. Believe it or not, you're kind of curious to find out how the story unfolds. Film historian Mark Davis specializes in the work of Marilee (Marilyn to the viewer, Marilee to litigation freaks). The mob believes they have the only existing print of a Marilee porno. Davis is asked to verify the product, which he does with a heavy heart.
Five righteous fuck scenes, all high intensity and super aggressive. Whoever your favorite porn star once was, this film may cause you to reshuffle, as the actresses here, their bodies muscular and luscious, are at the height of their man-eating game. Stacy Valentine with braids, as Marilee, is incredible to look at without her even moving a muscle. Once she blinks and chows down on Davis, and later Decker, you know why she's repeatedly called on as a leading lady. Her torso should be insured for a million dollars. When things are going right in the Valentine Stimulation Department, her eyes light up like something spooky is going to happen.
Jeanna Fine, master of the your-cock-is-mine blowjob, is killer in a blond wig. The hardworking Davis is lucky enough to be on the receiving end of her full-eye-contact, Ioin-burning fuck style. Jill Kelly and Eric Price mix it up with their legendary chemistry. Kelly punctuates some rad cock-sucking with a couple of fierce dick slaps. (Always good to see the girls knocking the meat around.) Kelly practically blushes after Price's splashdown. And look out when Shayla LaVeaux appears as the mob boss' daughter. She tears into Michael J. Cox's crank like a starved wolf while reaching between her legs to smack her own snatch senseless. LaVeaux rides him reverse cowgirl and goes bonkers. Hell yes, she does.
A strong production all around, with a camera always in the right place, and inventive technical touches like a b/w sequence shifting to color, referencing Davis' emotional attachment to Marilee as she transforms from colorless memory to something overwhelmingly vivid and impossible to forget.