Video Industry News Video Company News Technology Industry News Technology Company News Novelty Industry News Novelty Company News Gay Industry News Gay Company News Legal Industry News All Company News
Released: Jul 19th, 2010
Running Time: 146 Min.
Director: Jonni Darkko
Company: Darkko Productions
Distribution Companies: Evil Angel
DVD Extras: Behind the Scenes, Bonus Scenes, Cumshot Recap, Still Gallery(ies), Trailer(s)
Cast: Johnny Sins, Chris Charming, Christian Clay, Annie Cruz, Lana Croft, Mark Ashley, Carmina Kai, Mia Lelani, Miko Sinz, Jordan Ash, Jonni Darkko, Max Mikita, Winston Burbank
Critical Rating: AAA 1/2
Genre: Ethnic - Asian
Nobody loves sexuality of the Far Eastern persuasion more fervently than Jonni Darkko, and his Asian Fucking Nation 4 viscerally and artfully expresses the appreciation. The deluxe double-disc stars a cast of Asian fucking sensations in five main scenes plus five more bonus titillations. On top of all that there’s over half-an-hour of behind-the-scenes stuff!
With short dark hair, a leopard outfit and fishnets, Max Mikita doesn’t look like the anal slut that we soon find out she is. Mark Ashley eats her out and fucks her, eventually pounding her greased up ass for a hearty anal scene. But then Jordan Ash and Christian Clay fill her gaping anus, double penetrate her and cover her face with cum.
While that’s the sexual highlight, the hottest Asian girl in this two-disc, five-scene movie is Miko Sinz (featured in three of the five bonus scenes on the second disc here), whose thin, natural body is pounded by Mark Ashley after a close-up blowjob and a nasty vaginal fuck. And the scene with Lana Croft and Annie Cruz, beginning with lesbianism and tons of spitting and saliva, ends with Lana’s asshole being sodomized by Jordan Ash and a dirty A2M (from Lana’s ass to Annie’s mouth) that leads to the girls’ faces lathered in cream.
A couple of more mundane sex scenes round out the collection, but the 32-minute BTS on disc two adds some interesting context to the production. Jonni Darkko’s expert camerawork and solid editing make this a technically sound production, with enough good hardcore to recommend.